ABOUT MY LEICA JOURNEY

Leica cameras have been very present in my practice. They are not the subject, but the way I work: quiet, restrained, and responsive. I am not interested in technical breakdowns or specifications — what matters is how a tool shapes the rhythm of looking, and how it allows me to remain present in front of the world.

Leica, for me, provides that discipline. The clarity of the lens, the compactness of the body, and the limitation of a frame — all these elements allow me to concentrate on people, places, and the light in front of me.

This section gathers projects and essays that reflect how Leica fits into my practice. Each project is less about the camera itself and more about the moments it helped me notice.

STATEMENT

As an independent photographer, this Leica page is not intended as a catalogue of cameras or a technical breakdown. There are already countless sites that list specifications or reviews. A tool on its own does not make a photograph — it only extends what the eye and the mind are ready to notice.

For me, Leica has been that extension: a camera that stays out of the way, allowing the work to be about rhythm, atmosphere, and presence rather than equipment. This page is an ongoing record of how those tools have supported my practice — from the streets of London and Berlin to the coasts of Kent and the alleys of Tokyo. Each project is less about the mechanics of the camera and more about the discipline it encourages: slowing down, observing, and responding with clarity.

In the end, Leica has remained a quiet partner — one that helps transform observation into memory, and moments into images that endure.